The death of Enkidu stimulates Gilgamesh's mourning andrenewed travels in search of immortality. Similarly, mourning,melancholia and nostalgia for the pre-modern world motivate the freneticand anxiety-ridden travels of today's tourists. LikeGilgamesh's travels, modern tourism presents simultaneously aspectsof melancholic roaming and frenetic questing, and is a form of travelvitiated by the anxiety about and fear of death that motivates it. (15)This distinctively modernistic and paradoxical aspect ofGilgamesh's travels following the death of Enkidu colors theaccount of his travels. That is to say, the paradigm of the quest isundermined by the theme of Gilgamesh's prior and contemporary"restless roaming [of] the steppe." At one point Gilgamesh isexplicitly undecided between the two options: "If need be,I'll cross the sea, if not, I'll roam the steppe" (10:186.7). This ironic tension underlying Gilgamesh's travel explainsthe detached, vaguely parodic treatment of the quest journey toUtanapishtim that takes up the latter part of the work. The melancholic"humour" of the hero's quest is expressed, for instance,in the description of the hero's 12-hour race through the mountaintunnel in which, like a transatlantic airline passenger, he travelsfaster than the sun:
The Epic of Gilgamesh Themes | GradeSaver
As with their other arts, Roman literature frequently harked back to that of ancient Greece. One of the most famous works is Virgil's Aeneid, an epic story of a warrior journeying from the Trojan War to found the city of Rome. It is the story of a man's odyssey to become a man of virtus, the universal theme of Gilgamesh and the Odyssey being translated into Roman culture. The lyric poet Horace wrote of politics and poetry. Ovid developed classical mythology with his stories and set up much of what we know of the Roman gods (themselves modelled on Greek gods). Juvenal wrote satire, a Roman genre which commented on social mores. His satire on women is a good example:
What is the theme of the epic of Gilgamesh? | Yahoo Answers
The advantage of starting in 3067 BC rather than 3147 BC is that the300-year record of the kings of Kish now ends correctly at the time ofGilgamesh, who is dated at about 2700 or 2750 BC. Aga, the last king ofKish, is confronted by Gilgamesh, and is captured by Gilgamesh. TheSumerian legend recounts this, although theinformation of the capture (and release) of Aga seems to have beenappended as an afterthought. The main theme of ishow Gilgamesh stood up against the demands of the city of Kish, anevent which forever changed the politics of Sumer. How important theprimacy of Kish had been is shown by the titles taken by many later kingsof other Sumerian and Akkadian cities, as "King of Kish and so-and-so."
The Theme of the Epic of Gilgamesh Notes by Dr